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The authors studied the criticism of the previous part and corrected all the errors: ordinary opponents8️⃣ and bosses became more diverse and received a rich set of attacks, the list of techniques expanded, pumping became more8️⃣ flexible, side quests capture no less than the main storyline, difficulty can be customized, even puzzles are now they don’t8️⃣ make you stagnate and blunt in one place for a long time: partners willingly suggest the right decision, sometimes right8️⃣ on the forehead.
And, of course, God of War Ragnarök is flawlessly staged. Here again, the “continuous frame” is used, when8️⃣ the virtual cameraman continuously follows the characters throughout the story, here is a great friv game of actors, movements verified8️⃣ to the smallest detail and amazing detailing of cut scenes.
I want to clarify that adult games (in the context of8️⃣ the stories they tell) are good and welcome in every possible way. But this "adulthood" should be in moderation, and8️⃣ you should not get too carried away by focusing on such topics to the detriment of the gameplay and the8️⃣ pace of the story. Otherwise, the friv game begins to tire, and even funny fights with monsters cease to please8️⃣ the way they pleased before.
Add to the above the complex characters of the characters, which is not bad in itself,8️⃣ but again, for a slasher about the god of war, which in the previous parts somehow didn’t really reflect, preferring8️⃣ to cut everyone who is cut and tear off everything that comes off, somehow unnecessarily. Kratos was hurt the most:8️⃣ sorry, he stifles and reads morals, and follows Atreus as if through force, although he apparently wants to roam in8️⃣ his hut until Ragnarok itself.
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