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This article is about folk rock in general, especially American folk rock. For British folk rock in particular, see British🛡 folk rock
Folk rock is a genre of rock music with heavy influences from English folk and American folk music.[1] Combining🛡 the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the🛡 mid-1960s.[2][3] In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several🛡 of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire,🛡 adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term🛡 "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
The commercial success🛡 of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with🛡 Dylan's own recordings with rock instrumentation—on the albums Bringing It All Back Home (1965), Highway 61 Revisited (1965), and Blonde🛡 on Blonde (1966)—encouraged other folk acts, such as Simon & Garfunkel, to use electric backing on their records and new🛡 groups, such as Buffalo Springfield, to form. Dylan's controversial appearance at the Newport Folk Festival on 25 July 1965, where🛡 he was backed by an electric band, was also a pivotal moment in the development of the genre.
During the late🛡 1960s in Britain and Europe, a distinct, eclectic British folk rock style was created by Pentangle, Fairport Convention and Alan🛡 Stivell. Inspired by British psychedelic folk and the North American style of folk rock, British folk rock bands began to🛡 incorporate elements of traditional British folk music into their repertoire, leading to other variants, including the overtly English folk rock🛡 of the Albion Band and Celtic rock.
Definition and etymology [ edit ]
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